三世情缘
首颗“雄安造”卫星升空 我国卫星互联网产业迈入批量产时代_我的网站
A | 长城网·冀云客户端8月19日讯（记者 吴新光 牛笑 李征）今天7时35分，酒泉东风商业航天创新试验区，朱雀三号重复使用遥二运载火箭腾空而起，10分钟后将鸿擎科技自主研制的“鸿鹄03星”送入预定轨道，卫星太阳翼顺利展开，在轨验证正式开启。首颗“雄安造”卫星的升空，是“未来之城”向浩瀚星空发出的创新宣言。
“雄安一号”卫星搭乘朱雀三号重复使用遥二运载火箭腾空而起。 Filmmaker Anil Sharma's association with Dharmendra and the Deol family goes back a long way. He had directed the late actor in Hukumat (1987), which went on to be one of the biggest blockbusters of the filmmaker's career. Together, they delivered more hits such as Elaan-E-Jung (1989), Farishtay (1991) and Apne (2007). Filmfare caught up with Sharma, who opened his heart about this bond with Dharmendra.Excerpts: What kind of an impact did Dharamji have on your life and career? My entire career exists because of him. The first star I ever saw on the big screen was Dharmendra. When I became an assistant director, I worked with him on The Burning Train (1980). And the biggest blockbuster of my life, my first blockbuster Hukumat was also with him. We also did Elaan-E-Jung, Farishtay (1991) and Tahalka (1992), and all four were hits. I worked with his son Sunny Deol on Gadar: Ek Prem Katha (2001). I produced Policewala Gunda (1995) and directed Ab Tumhare Hawale Watan Saathiyo (2004) with Bobby Deol. My film Apne had all the three Deols in it. Then there were The Hero: Love Story of a Spy (2003) and Singh Saab The Great (2013). My whole life has been spent working with the Deols and most with Dharamji. I consider myself fortunate to have worked with this family and Dharmendra. He was a legend, an era by himself . People love him so much because he too loved them in equal measure. Go on... Dharmendra was a young man from Sahnewal... He would stand before the Frontier Mail train and say, 'Frontier, please take me to Bombay.' And truly, Dharmendra became the film industry. He would have 6–7 releases in a single year, and all of them were hits… Today, if an actor gives even three hits in a year, he’ll run around with a sword, ready to conquer the entire country. Dharmendra ji delivered massive blockbusters that no hero today has ever seen on that scale. It was not just action films that worked. He did films like Anupama, Chupke Chupke, Naya Zamana, Mera Gaon Mera Desh, Pratigya, Yaadon Ki Baarat, Hukumat. He had such a range! All these were hit films. And he was so handsome… It felt like God crafted him with his own hands, and then broke the mould forever. He was what you truly call, 'a Greek God'. Today we loosely call many heroes 'Greek God' but the real Greek God was Dharmendra. It is said that he never increased his fee even after delivering blockbusters...He had multiple hits releasing at the same time. When he watched Hukumat, he liked it a lot. His payment terms used to be that some money was given during production and the rest upon release. So, he told me, 'Anil, you've made such a wonderful film, I'm waving off my entire balance fee.' He would waive off his remaining payment if you made a good film. He had no attachment to money; his attachment was only to good cinema. How was your last meeting with him? It was a couple of months ago. He asked me about the films I was working on. He then said that he wants to do such a film that the world will watch in awe and asked me to find a role for him. He said, "Camera meri mehbooba hai, aur mujhe miss kar rahi hai..." (Camera is my beloved, and she is missing me) I'm missing her too and I have to go back to her. He actually had a film ready to release and in the last couple of years, he had done films, and he had such passion even at the age of 89. He would tell me, "Just watch, I’ll do such good work that the world will watch… you’ll see what I’ll do. You’ll see." It felt like he was the same little boy from Sahnewal. View this post on Instagram A post shared by Anil Sharma (@anilsharma_dir) How was Dharmendra as a person when the cameras stopped rolling? Dharamji never realised how big his stardom and influence was. We would tell him that you are such a big star and he would say, "I am nothing...I am just a farmer, a man of the soil." In fact, the entire Deol family is like that. They genuinely believe they are still new and have a lot more to achieve. Dharam ji once said that he worked only for the people and their love. He came to be a part of the film industry, and he didn’t just become a part of it, he became the film industry itself. Tell us about Sher, Dharmendra's shelved James Bond style spy thriller... Sher goes back to 1988. I wanted to make a James Bond–style film. Recently the poster suddenly resurfaced, and everyone was shocked seeing Dharmendra with such a fantastic, powerful physique. I was a big fan of Bond films, because what does a Bond film need? Personality, handsomeness, wit, romance in the eyes, action prowess, intelligence, and Dharam ji had every single one of those qualities. But somehow, the film couldn’t get made. Hukumat hadn’t released yet at that time and I had signed Sher during Hukumat itself. The producer ran into some issues. If the film had been made, it would have been something remarkable in Dharamji’s career. I still have the script with me. Even now, people tell me to make it with Sunny Deol. I haven’t thought about it yet, but yes, I’ll see, and maybe I will think about it again. What do you want people to remember most about Dharmendra and his legacy? He was a genuinely good human being who knew how to love. I used to ask him what defines a good actor and he always said that a good actor is first a good person. If today’s actors understand just this one thing, they’ll automatically become better actors. If you’re a good person, you can play a bad man, you can play a worthless man, you can play an average man. His goodness, and the way he showered love on people, these two qualities were truly special about him. And that is exactly how he will always be remembered. He is a legend and legends never die, they remain immortal. Also Read: Exclusive: When Esha Deol Called Dharmendra and Hema Malini Excellent Babysitters。
B | 鸿擎科技供图这颗被命名为“雄安一号”的卫星，在雄安新区研发、生产、下线。
C | 省科学院党组成员、副院长刘波难掩激动：“这不仅是雄安新区空天信息产业从‘研发制造’到‘在轨应用’全流程闭环的标志性事件，更为中国卫星互联网从‘单颗造’迈向‘批量产’提供了关键技术支撑。”“雄安一号”由我国唯一具备全生态服务能力的卫星组网解决方案商鸿擎科技自主研制。鸿擎科技“鸿鹄03星”项目经理郑书强介绍，其搭载的“金乌”“赤羽”“白泽”三大核心单机将围绕动力效率、能源约束和算力瓶颈三大难题探索低成本、高可靠的技术路径。星箭组合，意义非凡。中国空天信息和卫星互联网创新联盟秘书处秘书长丁进军评价，此次“鸿鹄03星”的批量产技术验证，与朱雀三号重复使用遥二的可回收火箭技术验证同场推进，展现出我国商业航天在“降低进入太空成本”和“降低建设太空网络成本”两条主线上的同步突破。“这为星座快速部署、持续补网和长期运营打开了更大的想象空间。”当前，全球低轨星座建设进入“圈地赛跑”阶段，传统卫星“手工定制”模式已难以满足大规模组网需求。而突破之路，离不开雄安新区这片创新沃土。
D | 作为北京非首都功能疏解的集中承载地，雄安新区正加速崛起为原始创新的策源地。目前，雄安新区已集聚空天信息和卫星互联网生态企业69家，形成以中国星网为龙头、鸿擎科技等企业协同发力的产业集群。卫星研制过程中，鸿擎科技巧借京津冀协同模式，将创新资源链接北京，将中试验证、批量交付扎根雄安新区，打通了从实验室到生产线的“最后一公里”。更令人振奋的是“雄安速度”。2025年，鸿擎科技在雄安新区建成全国首条流水线式卫星自动化批量产线，“鸿鹄03星”正是这条产线诞生的首颗卫星。这条产线将汽车流水线理念引入卫星制造，自动化率超70%，单星生产周期缩短约80%，传统生产方式造一颗卫星要7天，现在一颗卫星总装下线仅需约30小时，可支撑年产100颗以上平板式通信卫星的能力。制造效率的跃迁，让中国商业航天具备了“批量造星”的硬实力。
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